Pricing
Paperback $16.95
eBook $9.99
Description
In his best and most ambitious novel yet, Mick Herron, “the le Carré of the future” (BBC), offers an unsparing look at the corrupt web of media, global finance, spycraft, and politics that power our modern world.
“This is a darker, scarier Herron. The gags are still there but the satire's more biting. The privat...
In his best and most ambitious novel yet, Mick Herron, “the le Carré of the future” (BBC), offers an unsparing look at the corrupt web of media, global finance, spycraft, and politics that power our modern world.
“This is a darker, scarier Herron. The gags are still there but the satire’s more biting. The privatization of a secret service op and the manipulation of news is relevant and horribly credible.”—Ann Cleeves, author of the Vera Stanhope series
At Slough House—MI5’s London depository for demoted spies—Brexit has taken a toll. The “slow horses” have been pushed further into the cold, Slough House has been erased from official records, and its members are dying in unusual circumstances, at an unusual clip. No wonder Jackson Lamb’s crew is feeling paranoid. But are they actually targets?
With a new populist movement taking hold of London’s streets and the old order ensuring that everything’s for sale to the highest bidder, the world’s a dangerous place for those deemed surplus. Jackson Lamb and the slow horses are in a fight for their lives as they navigate dizzying layers of lies, power, and death.
Media
“Mick Herron is the John le Carré of our generation.”
Val McDermid
“I'll tell you what, to have been lucky enough to play Smiley in one's career; and now go and play Jackson Lamb in Mick Herron's novels—the heir, in a way, to le Carré—is a terrific thing.”
—Gary Oldman
“Out of a wickedly imagined version of MI5, [Herron] has spun works of diabolical plotting and high-spirited cynicism, their pages filled with sardonic wit, their characters approaching the surreal . . . Mr. Herron goes about this with bouncing black humor and a set of characters whose appearance and manner would be over the top in any other era. Happily for Mr. Herron—if alas for us—events continue to produce rich material for his special gifts, and we hope he is scribbling away making good use of it all.”
—The Wall Street Journal, on Slough House
“[Herron's] cleverly plotted page-turners are driven by dialogue that bristles with one-liners. Much of the humor comes from Herron’s sharp eye for the way bureaucracies, whether corporate or clandestine, function and malfunction. The world of Slough House is closer to The Office than to 007.”
—The Associated Press
“This is a darker, scarier Herron. The gags are still there but the satire's more biting. The privatization of a secret service op and the manipulation of news is relevant and horribly credible.”