[Downing] is a master at bringing the past to life through the careful and often
loving observation of even minor players and through the artful deployment of specific detail. In addition, Jack McColl’s debut has a zest, an exoticism and a joie de vivre well-suited to an era when best sellers were being written by Zane Grey, suffragettes were demanding the vote, and opium parlors were a readily accessible temptation.